Resume

  • 006.AM.PSYCHOSEE

    Director: Ernst Kurt Weigel

    Ylva stars as the 'Director' in this play mixing Antel's conflicted legacy on Austrian film and theater with the tragedy of Sarah Kane.

  • FUNNY.BRANDSTIFTER

    Director: Ernst Kurt Weigel

    Ylva joined the Off-Theater premiere of this fast-paced collage inspired by Max Frisch and Michael Haneke, contributing to the ensemble that dissects the fine line between social provocation and private guilt.

  • MÖWE/RETWEETED

    Director: Sina Heiß

    In this witty, social-media-infused adaptation of Chekhov’s The Seagull at Theater Kosmos (Bregenz), Ylva played Nina, capturing the character’s youthful idealism while navigating the play’s commentary on digital fame.

  • EURODRAM

    Director: Anja Wohlfahrt

    Presented at the Dramatiker*innen-Festival Graz, this staged reading series spotlighted new European texts; Ylva performed multiple roles, blending quick character switches with live musical interludes.

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    DINNER FÜR ACHT

    Director: Bernhard Ratka

    Ylva played Lizzy in this feature film.

  • HAMLET & FAUST - BAYERNTOUR

    Director: Mario Eick

    On a youth-theatre tour across Bavaria, Ylva tackled two literary icons—Ophelia in Hamlet and Gretchen in Faust—bringing an accessible emotional depth that resonated with student audiences.

  • KLEINES WELTTHEATERENSEMBLE (BERLIN)

    Director: Ducki Lachenmeier

    As part of the resident ensemble, Ylva created original scenes and musical segments for the troupe’s site-specific “mini-world-theatre” cycle, alternating between acting, singing, and live accompaniment.

  • REGIME DER LIEBE

    Director: Sandra Schüddekopf

    At Festival Reloaded Graz, Ylva delivered the monologue Branka from Ivana Simić’s Die Ehe, portraying a woman dissecting love under political oppression with raw intimacy.

  • #WERTHER

    Director: Helena Scheuba

    For Theaterfestival Litschau’s modern riff on Goethe, Ylva portrayed Lottchen, oscillating between narrator and character to highlight contemporary views on obsession and self-storytelling.

  • HAMLET MUSS WEG

    Director: Thyl Hanscho

    Ylva took the title female lead, Ophelia, in this meta-comedy about overthrowing classical canon heroes, using sharp comic timing to question who really owns Shakespeare’s stage.

  • DER ÖFFENTLICHE RAUM

    Director: Sandra Schüddekopf

    In Ulrike Syha’s urban ensemble piece at Theater Drachengasse, she embodied “eine unserer jüngeren Mitbürgerinnen,” voicing the anxieties of a generation negotiating public versus private space.

  • FINN – KÖNIG VON SCHOKOLONIEN

    Director: Wilo Kamenicky

    As Mona, Ylva guided young audiences through a chocolate-kingdom adventure, combining physical comedy with live vocals in Theater Heuschreck’s family musical.

  • DRAMAWALKS

    Director: Sandra Schüddekopf

    This guided city-tour performance for the Dramaturg*innen-Festival Graz turned streets into stages; Ylva performed episodic vignettes that connected local history to contemporary texts.

  • WER HAT NOCHMAL GESAGT, ES WÄRE EINFACH?

    Director: Gabriele Gold

    Ylva’s autobiographical solo concert blended cabaret and chanson, charting the trials of a young performer with humor and pianist Kurt Gold at her side.

  • MÄNNER! … ABER LIEB SIND SIE JA DOCH.

    Director: Christof Weber

    Starring as Ylvi, she fronted this original Viennese musical comedy, lampooning modern dating while showcasing her soprano range in swing-influenced numbers.

  • DISNEY IN CONCERT: DIE EISKÖNIGIN

    Director: Christoph Sommersguter

    On the Austria-Switzerland tour, Ylva voiced the troll Bulda, delivering spirited solos and ensemble harmonies in symphonic arenas.

  • BACKSTAGE

    Director: Christof Weber

    Ylva’s first leading stage role, Anja, peeled back rehearsal-room realities, foreshadowing her later interest in meta-theatrical storytelling.